Camp NaNoWriMo and THE NOVEL: An Update

Camp NaNoWriMo

Camp NaNoWriMo started last Saturday, April 1; I’m a participant for the first time this year! While I have no idea how the traditional November NaNoWriMo works (I’ll be doing that this year for the first time as well), with Camp NaNoWriMo you’re assigned “cabins” of 20 fellow participants. The part I like best is the sidebar, where all your cabin mates are listed plus the name of their current project, target goal, and most recent progress.

It’s awakened in me a streak of friendly competition that I didn’t know I had. Nothing will light a fire under my ass like peeking at that sidebar and seeing someone that’s ahead of me. What?! xxBooberry13xx has 1,452 more words than me? I DON’T THINK SO, SUGAR!

“What do we say to xxBooberry13xx?”

It really is a super-friendly competition, but it helps keep me motivated and that’s the entire point. I’ve been using the camp to plow through scenes in my current novel — those connecting scenes that are super important but where nothing terrifying and/or epic is going on. I end up skipping them when left to my own devices so I can get on with the cool stuff, and then kicking, procrastinating, and flailing about when I can’t ignore them any longer.

Novel Update

Speaking of the novel — and while this is sort of “burying the lead,” I guess — it has a name now: OCTOBER DIM. While that is, of course, subject to change, since the novel isn’t finished yet and I’m sure my beta readers and editor will have their own opinions and advice to offer, that’s what I’m calling it instead of “Untitled” or the tongue-in-cheek working title, A Pocketful of Dead Things. The last one always makes me laugh, but that’s exactly why I can’t use it. I’m sure it has a few funny parts, but it’s actually pretty dark. Names, names — this is why titling a book tends to give some authors hives. (I am scratching myself as we speak. Sheepishly.)

I have a hard time describing the novel to people. I’m not worrying about it too much at this juncture; I have a feeling that as the story goes through the editing process, the “how” of describing it will sharpen and come into focus. But right now, mix Repo! The Genetic Opera and the Gormenghast books, sprinkle some Neuromancer on top, add the darkest and most dreadful fairy tales from the past with a healthy helping of classic monsters, then slather the whole thing in zombies — and there, that’s my novel.

It sounds cracktastic. It probably is. But I’m tellin’ ya, it works.

JUST TRUST ME, OKAY?